Electronic Music

With the proposed method, an accuracy of 76.91% and a ROC value of 90% were obtained. Identification of human emotion involving electroencephalogram signals has become an emerging field in health monitoring application as EEG signals can give us a more diverse insight on emotional states. The aim of this study is to develop an efficient framework based on deep learning concept for automatic identification of human emotion from EEG signals.

Jamaican Dub Music

Research has shown that people speculated about computers playing music, possibly because computers would make noises, but there is no evidence that they actually did it. Pietro Grossi was an Italian pioneer of computer composition and tape music, who first experimented with electronic techniques in the early sixties. He founded the S 2F M in 1963 to experiment with electronic sound and composition. The introduction of electrical recording in 1925 was followed by increased experimentation with record players.

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Pierre Boulez's Répons for 24 musicians and 6 soloists used the 4X to transform and route soloists to a loudspeaker system. Cosey Fanni Tutti's performance art and musical career explored the concept of 'acceptable' music and she went on to explore the use of sound as a means of desire or discomfort. The late 1950s, 1960s, and 1970s also saw the development of large mainframe computer synthesis.

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During the 1920s and 1930s, some electronic instruments were introduced and the first compositions featuring them were written. By the 1940s, magnetic audio tape allowed musicians to tape sounds and then modify them by changing the tape speed or direction, leading to the development of electroacoustic tape music in the 1940s, in Egypt and France. Musique concrète, created in Paris in 1948, was based on editing together recorded fragments of natural and industrial sounds. Music produced solely from electronic generators was first produced in Germany in 1953. Electronic music was also created in Japan and the United States beginning in the 1950s and Algorithmic composition with computers was first demonstrated in the same decade. In Jamaica, a form of popular electronic music emerged in the 1960s, dub music, rooted in sound system culture.

Starting in 1957, Max Mathews of Bell Labs developed the MUSIC programs, culminating in MUSIC V, a direct digital synthesis language. The score for Forbidden Planet, by Louis and Bebe Barron, was entirely composed using custom-built electronic circuits and tape recorders in 1956 . In the same year Columbia University purchased its first tape recorder—a professional Ampex machine—to record concerts. Vladimir Ussachevsky, who was on the music faculty of Columbia University, was placed in charge of the device, and almost immediately began experimenting with it.